shure ksm27 discontinued

Beta 87C | Utilizziamo i cookies per assicurarvi la migliore esperienza sul nostro sito. c��:q��V�31����(��QL���6~�?�e">�x�� ��H1���]yl��W�H��Oλ���U�cEb�V��7^ >��QbN�aV�m\v��w#P�F�¥ ��w)LعZbbN/�z�D��s�m.^^sJ�4�L���o�~�V�U("A��`��u#8.t����@�t�ؙ�Z��y���~�1I �0AgU�L��U�3A箮7�m]���9���������ϰ�����Qx���n���$�x#5��A�nj�01�W#����� It offers improved sound quality and new looks that are more suited to stage use, and has been designed as a true general-purpose mic that can be used on anything from instruments to vocals to drums. It is a very barebones microphone, having a typical condenser microphone frequency response pattern starting down at 20 Hz and going all the way up to 20,000 Hz. 0000015680 00000 n 0000092481 00000 n Beta 56A | PG52 | This site is protected by reCAPTCHA and the Google | PG81 | 176 0 obj<>stream 515 Series | Beta SHURE Pro Audio Networked array microphones: versatile and elegant AV conferencing solutions that discreetly and precisely capture the richness of the human voice. 0000087870 00000 n Terms of Service apply. KSM313| MX180/N | | Beta 58A | by twistedtom » Tue Mar 03, 2009 10:55 pm . MX183 | PG42 | It’s a genuine all-rounder that will do a great job on instruments, particularly ones that the SM58/57s don’t do so well. SM27 | Beta 98A 0000002390 00000 n 104C | 7 posts • Page 1 of 1. PGDMK6 | The vocal sat easily in front of the band without chasing the level too much and the mic delivered a smooth professional quality with clear diction. 55SH Series II | 0000014858 00000 n I was hooked and wanted to keep using it on vocals but Henry Wagons needed to take the mic off the stand as part of his performance so for the headline act I went back to the Beta58. The steel grille feels strong and incorporates three mesh layers to reduce plosives and wind noise. Beta 57A | KSM137 | SM87A | 0000014068 00000 n Required fields are marked *, Shure Axient Digital Provides Flawless Coordination at the NRL Grand Final, Shure Announces Upgrades To Entire Se Earphone Line, Shure Wireless Dominates 61ST Grammy Awards, Shure Announces “Drum Mastery 2019” – The Shure Drum Contest, SHURE INTRODUCES BLUETOOTH 5 EARPHONE COMMUNICATION CABLE, dLIVE V1.7 FIRMWARE BRINGS SHURE WIRELESS CONTROL. 140 0 obj <> endobj PG56 | %PDF-1.4 %���� 0000108618 00000 n The Shure® KSM27 is a side-address condenser microphone with a cardioid polar pattern. SM63 | 0000025572 00000 n x�b```b``5a`e`��ad@ A6 ����3CP����ָk0�������8p�� Privacy Policy and KSM137 | ��v8��E��@��p�R���@����E�ؓ� � �qK 0000018451 00000 n SM81 | 140 37 The Shure KSM27 is a side-address condenser microphone with a fixed cardioid polar pattern. KSM32 | The pad on this microphone gives it 15 dB more headroom, and the Shure KSM27 comes with the complete package of a shock mount, a velvet pouch, and a sturdy carrying case. | Large diaphragm condenser microphone Shure KSM27: 44 images and 11 user review(s) The high-frequency range produced accurate transients and detail without the hyped exaggeration of some of my other mics. The pickup pattern is cardioid-only and on the back there are switches for a 15dB pad and two LF roll-off settings. The Shure SM27 is a side-address LDC that’s evolved out of the discontinued entry-level KSM27 cardioid condenser (from the studio-focused KSM series). 0000079874 00000 n It seemed to add some emphasis to the low-mids of a male vocal and lacked the high-end airiness of my other LDCs but the customer liked it and the vocal sat happily in the track without any EQ. VP88 | Large-diaphragm condenser (LDC) mics have long been favoured by studio engineers for their big, rich sound, particularly on vocals, but they’ve never been that popular in the world of live sound. 0000087832 00000 n 0000001883 00000 n 0000002288 00000 n In some ways it acts like a dynamic mic; the pickup pattern is tight, you can get right on the grille without distortion or plosives, handling noise is well controlled and there’s plenty of gain before feedback. So, the question is: does it work live? KSM109 | PG27 | 561 Gooseneck | The mids were smooth and rendered good body to the skin drums and the lows went all the way down to the floor, more than adequately representing the deepest instruments. 514B Handheld| SPLx Custom | 577B | 596LB Handheld | 0000083834 00000 n SM7B | PG57| SM86 | 0000015925 00000 n Beta 98H/C | It was a tough test with a full room: lots of background noise and a fairly small PA but the SM27 worked a treat. 527B | Geogr. I had also recorded the CD and knew Lauren’s voice well. Naked Eye | The self-noise specification has been improved from 14dB for the KSM27 to a very quiet 9.5dB. %%EOF KSM27 | 0000088480 00000 n MC50B | PG58 | 522 Desktop | MX202 | I set it up on a stand beside a Shure Beta58 and was pleasantly surprised to find that in terms of sheer volume it would go within a few dB of the Beta58 but with a much more engaging overall sound. interference. MX412 | startxref SM58+X2u | SM11 | 0000021934 00000 n 0000012048 00000 n DMK57-52 | Your email address will not be published. The world’s leading live microphone manufacturer, Shure, is aiming to remove any limits to the applications of LDCs in live sound by adding the new SM27 to its workhorse SM series. 0000080413 00000 n Soundstage  | By using our services, you agree to our use of cookies. The next weekend I took the mic to the Lomond Hotel for the launch of a CD by Lauren Lee Williams. The Beta 27 is the current iteration. Shure KSM27 mic. The 20Hz – 20kHz frequency plot looks flat across the midrange with a small, wide bump at 50Hz and an uneven rise from around 3kHz reaching a peak of +4dB at 7kHz. SM57 | 565SD | Straight out of the box I used it for every instrument on a layered percussion track and once the pad was engaged it had no trouble dealing with the high-level peaks.

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