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The thing with the poly evolver, the big thing for me anyway, is that the combo mode is the easiest to use of any synth I've ever played or owned. Four DSI Evolvers in a single box that can be used a four independent synths (with independent stereo outputs per voice), or as a huge polyphonic monster synth. Dave Smith Evolver Synthesizer Patches . Each voice can respond to a different MIDI channel. Each voice has an independent 16 x 4 step sequencer. The output of one voice can be routed to the input of another for interesting double-processing effects. Dave Smith Instruments Poly Evolver Rack Dave Smith Instruments Poly Evolver Rack Synth Module in absolutely mint condition! Full of hundreds of jaw-dropping preset patches, the Poly Evolver Rack offers four times the punch of the original Evolver. It's not your bread-and-butter, do it all analog synth like the Andromeda, nor is it your go-to for searing leads and phat bass like a Moog Voyager. (The desktop model must have OS version 3 for this to work.). It can also process external audio and has separate stereo outputs for each voice. In Program mode, all four voices play the same sound. Dave Smith Instruments Poly Evolver - usedNear mint condition, includes original box and power supply.Fully functional. It can be a four-voice poly synth, four mono synths (each with its own sequencer), or any combination in between. Each voice has its own stereo output in addition to the mix and headphones outputs. The keyboard action is responsive, and the aftertouch adds a lot of expressiveness. They’re two different beasts. Ending Sep 16 at 1:58PM PDT 6d 7h. It's a fantastic synth but the Rack model gives you all the same sounds and power, without all the knobs and hands-on controls, at a much lower price. Modulation capabilities are handled by four LFOs and three ADSR envelope generators (for the filter, the amp, and one is user assignable). The various Evolver models have a special MIDI implementation that allows 2 or more Evolvers to be connected for expanded polyphony. 512 fully editable Programs (4 banks of 128) and 384 Combos (3 banks of 128). The Poly Evolver Rack is 4 Evolvers in one, with 2 analog variable-state Curtis low-pass filters and 2 digital high-pass filters per voice. One of the many modulation destinations for the sequencer is MIDI note number. Yes, but calling Evolver’s digital waveforms “samples” might be a bit of a stretch. Each voice has its own independent effects (feedback, delay, distortion, high-pass filter, etc.). The big follow-up to Dave Smith's original Evolver, the Poly Evolver Rack, is essentially four Evolvers in a single rack space. It can also process external audio and has separate stereo outputs for each voice. Everything from mellow atmospheric evolving textures to wicked FM synced madness. The waveforms are 128 word, single-cycle waves, some of which are based on samples. In Program mode, all four voices play the same sound. If you are more of a knob fiddler, the Poly Evolver is a fully programmable 5-octave semi-weighted keyboard version of of the Rack model, with 77 endless-turn knobs and 59 switches. Check out the pictures to make sure you like it. In Program mode, all four voices play the same sound. There are a couple of things you should be aware of before taking the plunge, though. Imagine being able to move effortlessly from thick analog smoothness to crisp digital edge—or anywhere in between—and you begin to get the picture. Anyone who owns an original DSI Evolver knows how "big" it can sound with just one voice. Pedal/CV1 and Pedal/CV2 inputs: responds to expression pedals or control voltages ranging from 0 to 5 VDC (protected against higher or negative voltages). The LFOs, step sequencer, and three separate delays can all be synced for complex, evolving, rhythmic, time-based effects in true stereo. The output of one voice can be routed to the input of another for interesting double-processing effects. Stereo audio input can be routed to any or all of the voices, enabling parallel audio processing of external stereo or mono signals. The Poly Evolver When the Dave Smith Instruments Poly Evolver debuted in 2005, it was one of the few modern polyphonic synthesizers offering analog technology. All of the parameters can be addressed with SysEx messages, so knob turns and the like can be recorded with a sequencer. An analog/digital hybrid, the four-voice Poly Evolver Rack features four oscillators per voice— two analog and two digital (the digital oscillators feature the waves from the legendary Prophet VS). In Program mode, all four voices play the same sound. Four 16 x 4 analog-style step sequencers that syncs to MIDI clock. Yes you can, and the Mono Evolver Keyboard makes a great control surface for the Rack, as well. The Poly Evolver is a truly amazing instrument capable of sweet analog or cutting digital sounds. The interface is a bit confusing, and the potentiometers somewhat difficult to work with. The analog oscillators feature multiple classic waveforms plus pulse-width modulation and hard sync, and they sound really nice and big. Classic Curtis analog low-pass filters and real analog VCAs add ample warmth and girth to the analog section while the digital high-pass filter, tuned feedback, and digital distortion provide sizzle and grit. It's designed to sit in a studio, tethered to your computer-MIDI set-up. Current slide {CURRENT_SLIDE} of {TOTAL_SLIDES}- Best Selling in Synthesizers. 2 Low-pass filters per voice: 1 analog Curtis filter per channel, selectable 2- and 4-pole operation (self-resonating in 4-pole mode). For each Evolver voice, the left and right channels get their own independent analog oscillator, lowpass filter, highpass filter, VCA and effects. The most obvious difference is that the Evolvers are analog/digital hybrids. Enter your search keyword ... Dave Smith Instruments Poly Evolver Keyboard (Pot Edition) $2,500.00. Clocked, pulsing blue LEDs and hardwood end-panels. But what really sets the Poly Evolver Rack apart is the way in which the analog and digital sides of its personality mesh—the digital processing doesn’t simply add effects at the end of the signal chain, but is tightly integrated with the analog electronics in a true stereo signal path with tuned feedback, distortion, bit crushing, and synced delays.

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