debussy cello sonata program notes

19}, author={Byron Farrar}, year={2017} } Only three works were completed - the Sonata for Cello and Piano, the present sonata, and Debussy’s last composition, the Sonata for Violin and Piano. The D-major sonata’s impulsive force and scope are announced in the opening bars, which feature a five-note figure that will pervade the entire first movement. Period: Romantic: Piece Style Romantic: Instrumentation cello and piano External Links Centre de documentation Claude Debussy Wikipedia article Cello Sonata - Scores at Sheet Music Plus MusicBrainz Except for the first three measures, the cello plays nearly continuously throughout the Prologue. The Cello Sonata is a work rich in imagery even though it lacks the apparent extramusical allusions or inspirations common to so many Debussy pieces. Only three Sonatas were completed at the time of Debussy’s death on March 25, 1918—the Cello Sonata, the Sonata for Flute, Viola, and Harp, and the Violin Sonata. However, when the sonata was published in 1866, the composer suppressed the Adagio movement, leaving a sonata in three movements only. However, it still came as a major surprise that the Cello Sonata, while utilizing a rich palette of timbres and achieving exquisite subtlety in both the piano and the cello, structurally relied on sonata … Debussy was offered a seaside villa for the summer, and he came back to life. 5) in 1796 at the very outset of his career; one (Op. Emma Debussy (Emma Bardac) Average Duration Avg. The Finale, like the previous movements, leaves the cellist scarcely a moment’s rest, but the piano writing is far denser than in the Sérénade. SONATA FOR VIOLIN AND CELLO I. Allegro II. There is an almost antique charm to the courtly dance in Brahms’s treatment of it. The fugal subject strongly resembles that of Contrapunctus XIII from Bach’s Art of Fugue. All the traditional fugal techniques are brought into play: statements and counterstatements, inversions, imitations, episodes and stretto. Prologue: Lent, sostenuto e molto risoluto 2. The second movement is entitled Allegretto quasi menuetto, but there is nothing “quasi” about this minuet. Few works of Claude Debussy (1862-1918) bear generic titles like symphony, quartet, concerto or sonata. Since … Continue reading → At the turn of the 20th-century, Debussy already had edited the complete works of Rameau for publication. Finale: Animé, léger et nerveux Performed by Daniel Edwards and Madelaine Jones Debussy abandoned composition for almost a year following the outbreak of World War 1. Customize your own series and save 15% on single ticket prices. The first of these was the Cello Sonata. A rhapsodic air prevails in the opening movement as it unfolds in a series of juxtaposed sectional divisions. Brahms wrote three movements in 1862, then put the work aside until 1865, when he wrote a finale. Sonata for Flute, Viola, and Harp. 102, no. The Sérénade throws out bizarre whorls of sound much in the manner of a moonstruck, crazed harlequin careening about the stage. 102) in 1815 when he was moving into what musicologists would call his Late Period. Required fields are marked *. Debussy took care to advise that “the piano must not fight the cello, but accompany it.” The principal theme is heard as a lyrical, descending line in the cello. Only in the coda does the headlong rush of events subside. The two sonatas of Op. For cello and piano his catalogue includes, in addition to the work on this program, a Romance lyrique, a Sonatina and a Hungarian Rondo (originally with orchestra). (Commentators like to note that it is the same motif that opens the slow movement of Brahms’s Double Concerto.) The project was undertaken at a time when Europe was ravaged by the First World War and Debussy suffered from terminal cancer. Ludwig van Beethoven: Cello Sonata no. @inproceedings{Farrar2017ExtendedPN, title={Extended Program Notes for: Ligeti’s Sonata for Solo Cello; Debussy’s Sonata for Cello and Piano; Rachmaninoff’s Sonata for Piano and Cello Op. According to legend, on one occasion when Gänsbacher and Brahms were playing the sonata, Gänsbacher complained that the piano was drowning out the cello line, whereupon Brahms quipped “Lucky for you!”. 69) in 1808, squarely in the midst of his career; and two more (Op. Print Program Notes It began as a grand plan for six sonatas “for various instruments,” with the final sonata featuring all of the instruments from the previous five. So it was natural that he was asked to contribute to a special Debussy commemorative supplement for La Revue musicale. It also becomes, in a different form, the basis of the flowing central Trio, where, in the words of Henry Cope Colles, Brahms “discards the primness [of the motto] and lets the little motif expand naturally into long, fluent phrases.”.

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